CHESAPEAKE BAY BLUES FESTIVAL: BLUES FOR A CAUSE: A look back to preview what’s coming!!
In May 2009 I had the privilege of attending and photographing Maryland’s Chesapeake Bay Blues for the first time and I was knocked out!
In May 2009 I had the privilege of attending and photographing Maryland’s Chesapeake Bay Blues for the first time and I was knocked out!
Without viewing my article published seven months ago as a shameless plug here, I’d like to mention that when I wrote “Supergroups – Vultures, Chicks, and Other Picks,” I was certain that Slash was about to do something big, even though I knew nothing of his plans.
We were invited to meet with writer, producer and guitar player, Gary Hoey at Chuck Levin’s Washington Music Center in Wheaton, Maryland on April 7, 2010.
While in my early twenties, I attended college in Coventry, England, and served as a Staff Assistant to the American Studies Department.
Johnny A. was the exemplary sideman in the late ’90s when he decided to become a solo artist.
The music business has changed dramatically over the past few years. While music is still an international language, the world has become a smaller place, and unfortunately record sales have declined in scope as well. Though sales are down, the rapid pace of technological advancements and the rise of independent artists has caused a tremendous global demand for new music.
This months lesson is based on using minor 11th, Maj 11, and minor 9 arpeggios.
John McLaughlin has been a pillar of the jazz guitar community for over 30 years. He has played with many of the legendary musicians of our time. McLaughlin has explored his acoustic side as well as pioneering the fusion movement.
Since January 2006, I’ve had the privilege, and the big fun, of working with and photographing the Legendary Rhythm & Blues Cruise.
It is a daunting and perhaps completely irrelevant task, in the context of a guitar magazine, to attempt to write an introduction to an interview with Andy Summers.
