Arpeggio Lesson – “As Many as Possible”
This months lesson is based on using minor 11th, Maj 11, and minor 9 arpeggios.
This months lesson is based on using minor 11th, Maj 11, and minor 9 arpeggios.
John McLaughlin has been a pillar of the jazz guitar community for over 30 years. He has played with many of the legendary musicians of our time. McLaughlin has explored his acoustic side as well as pioneering the fusion movement.
Since January 2006, I’ve had the privilege, and the big fun, of working with and photographing the Legendary Rhythm & Blues Cruise.
It is a daunting and perhaps completely irrelevant task, in the context of a guitar magazine, to attempt to write an introduction to an interview with Andy Summers.
Recorded live in Tokyo back in May of 2009, the DVD “Mick Taylor Band – The Tokyo Concert” features Taylor on guitar and vocals, Max Middleton on keyboards, Kuma Harada on bass, Jeff Allen on drums, and Denny Newman on guitar and vocals.
After one of the worst winters in metropolitan Washington, D.C.’s recorded history, the audience at the Birchmere in Alexandria, Virginia, was badly in need of a sunny afternoon – and that’s just what Ray Davies conjured up.
In her book Music Success in Nine Weeks, Ariel Hyatt presents a wealth of knowledge in a readily-accessible, easily digestible form. The reader immediately gets the distinct impression that Ariel is really trying to help them out, and not just sell them a “get rich quick” book. Music Success is an interactive book in the sense that what you put into it is what you’ll get out of it, like music in general. It’s well laid-out, plus it reads and the information can be easily assimilated and quickly put to good, real-world use.
by Rick Landers ****** Cindy: Cashdollar Interview Rick Landers: Today we know that Woodstock, New York and the surrounding area used to be the neighborhood that belonged to some well-known musicians. I guess it always hasn’t been that way; but you either call it home or have called it home in the past. But you […]
For those of you who may be unfamiliar with the music of Bill Frisell, or maybe more to the point, that you might find it difficult to pinpoint exactly what it is that he does and what genre of music he plays, you’re probably not alone. He is, after all, constantly changing directions in his musical endeavors. From jazz, to American folk and blues, to some combination of the two, his music always manages to bear the stamp of his unique musical voice. On the 2009 release of Films of Buster Keaton by Bill Frisell, the guitarist once again explores new musical territory in his homage to the silent-era films of Buster Keaton.
