Our interview today with Welsh artist, Isaac Holmes, presents his personal path learning his craft from a very early age to today. And for Isaac, like many, he’s driven by a passion for music and a need to dig in to the discipline of learning from his guitar idols, then raising his game to create his own stylish original compositions.
The Washington, D.C. area has a very robust music community where musicians weave their ambitions and altruism into a basket of working strategies in order to build an audience of followers, a fan base.
Hailing out of Music City USA (Nashville, Tennessee), there’s a young guitar slinger, Danny Garwood, rolling out some heavy hitter blues, getting stage time with the likes of the legendary Buddy Guy, Christone “Kingfish” Ingram, and other world-class artists.
Over the years, blues-rock artist, Linwood Taylor, has forged ahead nailing down gigs, improving his game and building a reputation as an A-list musician in the Washington, D.C. area with a deep music history rarely fully appreciated.
Dave Kline, four strings, plucking and a blistering bow; electrified. These are the ingredients that Kline brings to the stage and into the studio. Pull in some more world-class musicians and they stir a cauldron of some of the best music you’ll ever hear.
Today, Steve Earle has earned his own icon status, not only by writing his own songs and performing to thousands, but by deep digging into the entangled roots of more contemporary music, studying the wherefore and why of musical traditions of songs and styles beyond American shores. Like the generation before him, his own journey is part of both a land mass of musical traditions, and a migration of his own songs for future generations.
The explosive guitar work of Jon Butcher ripped through the airwaves when he arrived on the music scene. And his heavy hitting vocals tied to his hard driving melodies offered, and still offer his fans a full force musical gale to get them pumped and rockin’…
In the early 1980’s Roy Rogers spent several years touring with John Lee Hooker before going out on his own with The Delta Rhythm Kings in 1986. Since that time Roy has stayed busy, not only as a performer, songwriter, and recording and guest artist, but, also as a producer of recordings by John Lee Hooker and Ramblin’ Jack Elliott. Roy has been nominated for two Grammy Awards and three W.C. Handy Awards. He still tours the world with The Delta Rhythm Kings, alongside bandmates Steve Ehrmann [bass] and Billy Lee Lewis [drums].
And what’s even more impressive is Brian Tarquin’s altruism, given his support and contributions to veterans’ and other causes, and the music projects he’s driven to completion with his fellow collaborators, who include some of the world’s first flight musicians: Jean Luc Ponty, Eric Johnson, Robben Ford (Miles Davis), Steve Morse (Deep Purple), Dean Brown (David Sanborn), Hal Lindes (Dire Straits), Chris Poland (Megadeth), John Tropea (Billy Cobham), Steve Kindler (Jeff Beck), Carl Verheyen (Supertramp) and Larry McCray (John Mayall), the late Phil Naro, and the Budapest Symphony Orchestra.
Guitarist Clay Melton’s roots lie in the worked lands of Louisiana and Texas where traditional and rock blues grew with the making of the old Chitlin’ Circuit with the likes of BB King, Charlie Patton, Robert Johnson, as well as newcomers, Johnny and Edgar Winter, Stevie Ray Vaughan
