British-born guitarist, Billy Morrison recently decamped and made his way to Billy Idol’s band for an extensive globetrotting gig that’s carried him to Russia, Greece, Switzerland, England and Eastern Europe. That’s not to say that’s he’s not continuing his work with Camp Freddy and Circus Diablo, two groups that he’s worked with for several years.
Steve Stevens is most notably recognized as the guitarist for Billy Idol, a partnership of 30 years that has produced countless Top 10 singles and platinum LPs. He is by far one of the most gifted guitarists to emerge from the ’80s music scene with his background being forged with the greats of the early ‘70’s like Jimi Hendrix, Jeff Beck and Jimmy Page. Unknown to most, Steve also became an avid prog-rock fan, especially the likes of King Crimson and Yes.
When one hears the words “one-man band,” they often get a comical picture of a cartoon like character dancing around with a bunch of instruments strapped to his back. While this may work for the movies or in TV shows, it is musicians like Claude Hay that take this term and turn it into an art form. Utilizing modern technology such as loop pedals and effects, Hay is able to bring together multiple layers of instruments and sounds into his songs, both in the studio and live, all without hiring a band. He is a DIY musician in the purest sense.
Forty-plus years after the Summer of Love and the release of The Doors’ self-titled debut album, 61-year-old Doors guitarist Robby Krieger is a busy man. Recently, Krieger appeared at the Berklee College of Music’s Berklee Performance Center in Boston where he performed a set with Doors tribute band Morrison Crossing comprised of ex-Berklee students, and spoke to the audience and reporters on a variety of topics, past and present.
It’s early September. Wylde’s home from Ozzfest where he did double duty with Ozzy and Zakk’s own Black Label Society (BLS). Time to rest? Hardly. He’s up at 4 a.m. doing whatever it is he has to do as hard as he can do it. The BLS motto of Strength, Determination, Merciless, Forever is no marketing gimmick. The son of a now 87-year-old WW II D-Day Omaha Beach veteran, combat intensity is in Zakk’s blood.
Australian guitarist, Tommy Emmanuel, has gifted the world with some of the finest acoustic guitar playing to adorn the planet. He’s an itinerate touring musician who sparkles on stage with his ability to caress, cajole and occasionally slap beautiful acoustic arrangements out of his beat up Maton guitars. Emmanuel captivates his audiences with his humorous patter, world-class guitar playing and the percussive antics he unleashes on his six-strings.
Jazz guitarist and inventor, Les Paul, brought us more than his electric “Log” guitar fashioned out of two pickups, and the triptych coupling of a slab of 4 x 4 lumber and the two halves from an Epiphone hollow body guitar. He brought us more than a delightful legacy of jazz, but a mountain of amazing guitar techniques to examine and study. His deep curiosity and rich inventiveness roamed the world of electronics and sound, luring him like sirens to seemingly insurmountable production and recording challenges. Good for us that Mr. Paul’s intense curiosity was welded to an equally tenacious spirited drive.
Talking to Sammy Hagar, it’s hard to tell that the prolific guitarist, singer and songwriter has been working as a professional musician for almost 44 years, beginning his career by recording “Reach Out to Find Me” and “Read My Thoughts” in 1967. During the intervening years, Hagar has had several successful solo careers, been a member of the rock band Montrose, and spent a decade with Van Halen at the height of the band’s fame in the mid ‘80s and early ‘90. Throughout it all has maintained an exuberance and excitement for music that is often only found in performers half his age or younger.
Having known guitar legend Ritchie Blackmore from his days in Deep Purple and Rainbow, I wasn’t quite sure what to expect from his newest CD Autumn Sky, which was recorded with his Renaissance influenced ensemble Blackmore’s Night, but I have to say that I really enjoyed the record.
Explosive gale force performances mixed with melodic interludes define Alter Bridge, a group with the instrumental backbone of Creed and the powerful vocals of lead singer, Myles Kennedy. With the blistering guitar work of Mark Tremonti, tethered to the unyielding foundational percussion and bass guitar of Scott Phillips (drums) and Brian Marshall (bass), Kennedy and crew gather together as Alter Bridge, into a perfect musical storm.
