Terruno, the latest recording by Paraguayan guitarist Berta Rojas is fresh, exciting, and truly an amazing recording. It contains some lesser known guitar music and transcriptions by South American composers Vincent Lindsey Clark, Quique Sinesi, and Egberto Gismonti.
By A Thread, the latest studio release from Gov’t Mule, is a straightforward audio testimonial that classic hard rock is alive and well in the 21st century. And unique only to bands of this fine quality, Warren Haynes and gang prove once again that they’re able to adjust and evolve in a positive way with each CD. Barring the more than plentiful live material circulated over the years, the reggae infused “Mighty High” as well, the studio albums that come out every two to three years or more are what it’s really all about, and they get better all the time.
There is an old writing adage that there are only two plots in the world: “a man takes a journey” and “a stranger comes to town.” Stewart Copeland’s new autobiography, “Strange Things Happen”, falls solidly in the first category.
Viaje en Espana, the latest recording by classical guitarist Martha Masters, is more than just another Spanish guitar album. Even after one listen, it is apparent that the sounds of Spain, and the repertoire made famous by Segovia, are in direct relation to the music on this recording. Even though most of the music in this collection was never performed by Segovia, it was all written and dedicated to him, allowing fans to experience the “other” Segovia repertoire for the first time.
Bill Frisell ranks in the top tier of guitarists from his generation, alongside such luminaries as John Scofield and Pat Metheny. His recorded output is arguably as eclectic as any living artist. Previous projects have ranged from trio records with jazz greats Dave Holland and Elvin Jones, contemporary collaborations with producers Hal Wilner and Lee Townsend, as well as a collection of Americana and folk-tinged albums for the Nonesuch record label.
Les Paul was a giant in the music industry long before rock and roll was even a glimmer in the eye of record company executives or a restless youth culture.
Imagine you’re looking for a piece of art to hang in your home. You have an idea of a certain style you are looking for, the size and colors you think might look nice. You might even have specific details in mind regarding the pieces subject matter. At some point you decide to go the route of a facsimile from a home supply store and, though it isn’t an original, it ends up being not all that cheap.
Eight of the ten tracks on Robben Ford’s fourth and most recent Concord Records release, “Soul On 10”, were recorded last April at The Independent in San Francisco’s Alamo Square.
by Rick Landers ***** Rick Landers: Let’s start with a couple of Beatles’ points since you just got this Beatles tribute. And then we’ll move on to Godfrey. Godfrey Townsend: I like the Beatles. Rick: Everyone likes the Beatles. Godfrey: Some people don’t. I don’t trust them. [Rick laughing] Somebody says “I don’t like the […]
Naquele Tempo is Roland Dyens’ incredible collection of solo classical guitar arrangements of works written by the Brazilian composer, Alfredo da Rocha Viana, Jr.(1897-1973), better known as Pixinguinha (pronounced, Pish-in-GUI-nia). Pixinguinha’s music was originally written for small jazz ensembles and is characteristically expressive, innovative, and rich with melody and complex harmonies. His pieces have an improvisational feeling to them and contain all the elements representative of an expert composer.
