PRS McCarty 58 Review
Review of the PRS McCarty model that was launched at Experience PRS 2010.
Review of the PRS McCarty model that was launched at Experience PRS 2010.
Review of the PRS JA15 guitar which was launched at Experience PRS 2010
Review of the PRS SC 58 which was launched at Experience PRS 2010
Review of the PRS ME Quatro which was launched at Experience PRS 2010.
Review of the PRS NF3 guitar which was launched at Experience PRS 2010
This morning, hundreds of Paul Reed Smith Guitars enthusiasts checked in to the Experience PRS 2010 trade show before lining up to grab a hot breakfast, some OJ and a cup of Joe, before finding seats in the Main Event tent housing the stage with it’s PRS backdrop, and master of ceremonies Paul Reed Smith who welcomed the PRS distributors, dealers, guitar enthusiasts and music media folks.
Today, Matt Warnock, Editor, Guitar International and I focused most of our time on the operations and production side of the PRS guitar equation.
Almost by pure coincidence I found myself in Belo Horizonte, Brazil during the first week of August, 2010, just as the city’s annual Savassi Jazz Festival was fully under way.
One of the coolest aspects to being a musician, educator and writer, is that I get to work with and meet countless amazing people during the course of my work week.
During my week long course on jazz-guitar improvisation, I meet with the students for four hours each afternoon on the University’s newly built campus extension which houses the music department. The students came from a wide variety of backgrounds, and were at various levels in their musical development, but one thing that they all shared was an eagerness to learn and an enjoyment of all things guitar.
