Singularity is a creatively conceived album by former Doors guitarist Robby Krieger. Walking the line between being highly improvised and carefully arranged, the album is a kaleidoscope of genres, sound, tone colors and timbres, directly representing the wide variety of Krieger’s musical influences.
It’s All About Groove by New York based guitarist, and Vermont native, Ethan Mann. Mann, who relocated to New York in 1991, currently leads the organ trio featured on this recording, consisting of Chip Crawford, keyboards, and Greg Bandy, drums. A graduate of the Manhattan School of Music, Mann has studied with such jazz guitar luminaries as Rodney Jones and Jack Wilkins, and is currently on faculty at Crestwood Music Education Center and Manna House Workshops in East Harlem.
Over the course of its forty-year history, Rush has emerged from it’s beginnings as a rock band to becoming an institution of rock culture. They’re one of the few bands that have not only survived for over four decades, but have done so with the same line-up of band members. That feat is a true anomaly in the turbulent and ego-driven world of rock music. With over thirty-million records sold worldwide, award-winning videos and legions of hardcore fans, perhaps the most impressive thing about the band’s career is the manner in which they have navigated their own course. While other bands worried about mainstream success, Rush focused on mastering their instruments and musicality to make the best records possible.
There are few guitarists alive today that are more accomplished or easily recognizable as Lee Ritenour. With a resume that reads like every budding guitarists wildest dream, Ritenour has performed and recorded with some of the biggest names in music during his fifty years as a guitarist. After beginning his professional career at the age of sixteen,
I had to smile, just a little when after inputting Lee Ritenour’s 2010 album 6 String Theory into iTunes, it came up listed as genre “unclassifiable.”. I couldn’t have put it better myself, thanks Steve Jobs.
As the night crept by and the Sun slowly started to set, the backdrop changed from a pale blue sky to a multi-gray canvas with patches of pure darkness that were headed right towards us. Buddy Guy’s band began taking the stage one by one and you could feel the anticipation growing, anticipation that we were soon to be greeted by one of the greatest performers and showman of all time. I don’t want to sound clichéd, but the word “legendary” is truly what comes to mind when you see Buddy Guy take the stage.
The Illinois River, a massive iron bridge that stretches across it, and a pale blue sky that threatened rain like a school yard bully, served as the backdrop at the Peoria, IL Steamboat Days celebration, June 18, 2010. It looked like the perfect day for a blues concert, and minus the erratic weather, turned out to be one of the best shows I’ve seen in awhile. Playing tunes from their latest release, Flood, Moreland and Arbuckle commanded the stage with their brilliant concoction of Mississippi-esque Blues and high energy Southern rock. These guys are a welcome break from the 12-bar form in a Robert Johnson-like manner, telling a story of tragedy and overcoming it from chord to chord.
Having recently had a chance to preview the new documentary Rush: Beyond the Lighted Stage, I was looking forward to checking out the latest compilation record from Magna Carta Records, New World Man.
With the music industry struggling to find its place in the 21st century, fans and bands alike are standing by, waiting to see if the big names in the business will figure out how to stay alive in this ever changing landscape. While some companies are focusing on fad-induced singles, others are suing coders and even teenagers in an attempt to deal with piracy and the rise of P2P sites like (old) Napster et al
Sheryl Crow and her talented crew rocked the grounds at the Wolf Trap Foundation for the Performing Arts, Vienna, Virginia , June 17, 2010, with a robust show filled with hit after major hit.
