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U2’s hit single “One” is a case where a song rises out of the ashes of discarded parts of other music. U2 guitarist The Edge was experimenting with some chord progressions that weren’t working out for the bridges of a few other songs when producer Daniel Lanois overheard him. Lanois had Edge play what he was working on for the whole band, and in fifteen minutes Bono and company had improvised the main ideas of what would become their third single from 1991’s Achtung Baby. The song, which has multiple layers of guitars combining to form a single texture to support Bono’s iconic melody, ended up saving the writing sessions. “One” was the catalyst that helped U2 write the rest of the album, alleviating tensions that had been threatening to break up the band.
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