Review and Photographs by Craig Hunter Ross
The Barns at Wolf Trap was abuzz with excitement as guitar lovers of all ages entered the rustic hall. As the sold out crowd settled into their seats and many a debate could be heard as good-natured points were argued as to the virtues of their favorite player and what they would be in store for as the evening would progress. As the house lights dimmed and the spotlights came up, all in attendance knew they were about to partake in an aural buffet with four masters serving up multiple musical courses intended to most certainly send them all home full.
First to take the stage was Brian Gore, who actually created the concept of International Guitar Night in 1995. Often referred to as the “poet of guitar”, Gore did not disappoint as the precision of his distinctive fingerstyle technique took all who could hear on a musical journey through nature and reflections of time at home in the western parts of the United States and special times with his son.
Gore was followed by Adrian Legg, who was voted “Best Fingerstyle Guitarist” 4 years in a row by Guitar Player magazine. The London-native delighted the audience not only with his playing style, but also with his wit and unique story telling. His set was highlighted by a number he titled “Cajun Interlude,” which he said came from his “bad title period.” Legg had the audience in both amazement and hysterics throughout the evening. It’s no wonder he is often heard as a commentator on NPR’s All Things Considered.
A distinctive shift was in order as Germany’s Lulo Reinhardt brought his high energy, almost celebratory style to the stage. The new grandfather combined the enthusiasm and joy of a youngster with the years of experience that only a master such as he can possess. His gypsy like style with along with flamenco and even jazz-like flourishes and interludes created a unique sound the likes of none other. Lulo loves what he does and it was evident the crowd loved him.
Marco Pereira would complete the soloist showcases, with a brilliant Brazilian flavor. Between pieces Pereira, who was born in Sao Paulo, detailed his writing and playing style, into both of which he incorporates themes from his homeland’s folklore and sense of fantasy. His exquisite methods of musical expression may very well have left many spellbound.
All four masters would come together to close the first set, before a brief intermission, to later return with various combination and ensemble pieces. It’s obvious why International Guitar Night has grown and increased in stature over the last several years and is special evening not to be missed should they find their way to your town.