To begin with, for those unaware, a supergroup is a rock band consisting of members from a variety of prior successful endeavors, musicians who are renowned independently as well. Every now and then, a supergroup infiltrates the rock music world, immediately creating intense anticipation and interest.
For the third year in a row the Paul Reed Smith has pulled out the stops for a full force gale of a guitar company trade show near the shores of the Chesapeake Bay in Stevensville, Maryland.
The Monterey Blues Festival is held each year over the last Friday, Saturday, and Sunday in June. One of the things I like about the Monterey festival is that it’s more Afro-centric than many other festivals I’ve attended
The atmosphere at all three Experience PRS events I’ve attended has been consistent with the PRS staff, the dealers and distributors , invited guests and celebrity artists all enthusiastic and delighted to get to know one another and talk guitars.
While touring the PRS grounds, everyone had opportunities to stop and meet some of their favorite guitarists. I bumped into the formidable Celtic guitarist, Tony McManus, who would later play some of his Celtic riffs.
The third annual Experience PRS trade event officially opened its doors on September 25, 2009 near the banks of the Chesapeake Bay, Maryland. Two years ago Paul and his colleagues fashioned Experience PRS to bring together dealers, distributors and fans of PRS guitars from all over the world.
Hi there… I just returned from a couple of days in Stevensville, Maryland, home of Paul Reed Smith Guitars and I’ve got to tell you, I had a blast. The only problem I had was missing the Thursday night PRS get together where two surprise guests showed up: Buddy Guy and Carlos Santana!!! The third […]
Today is the first day of the Paul Reed Smith Experience 2009 trade show, an event that Paul and crew came up with and started back in 2007.
Guitar International was invited to the premiere showing of Steve Vai’s new DVD release, Where the Wild Things Are and charity event.
As classical guitarists and guitar pedagogues, we have become used to lugging around a mountain of books with us everywhere we go. There is a book for scales, a book for arpeggios, a book for right hand technique and a book for the left.
