One of the newest luthiers on the block is Mollenhauer Guitars based out of California’s high desert. With a focus on producing high-quality, low cost guitars, the guys at Mollenhauer are quickly making a name for themselves among players and collectors alike.
The New Orleans Jazz and Heritage Festival is special. That’s what I found out when I went to my first one in 1985. So special to me that I’ve been back every year since (okay, I missed one). It’s an immersion, an immersion in all things New Orleans and Louisiana; music, food, culture and fun.
From the early days in 1969, Ian Grandy worked with the band Rush and did what needed to be done to help keep things running smooth, until his departure in 1983. As the road crew grew, he settled into his role as front-of-house sound engineer, finally transitioning to the role of security chief shortly before leaving the organization.
As I walked out of the festival grounds the thought struck me that I’d just seen something special. I missed Muddy Waters and Stevie Ray Vaughn, the two blues musicians I would most like to have seen live, but I had now seen Kenny Wayne Shepherd in his prime. And it was a show I would remember.
I’d heard Kenny in 1996 at San Francisco’s Fillmore Auditorium when he was 19 years old and remember thinking he was pretty good for a kid. But, this time he had matured as a guitar player and showman and I found him mesmerizing. Part of it was his appearance – in command of the stage and somewhat surly. Yet when he talked to the crowd he sounded polite and appreciative. With a white scarf wrapped around his neck he reminded me of a 1970’s guitar god. Kenny played four different Stratocasters, swapping them out every few songs. Maybe because he’s so partial to Strats, Fender named an Artist Series signature model after him!
