Vintage
Modern Guitars Magazine Column by Saiichi Sugiyama
Excerpts from recent articles About Saiichi Sugiyama
Made-in-Japan Replicas  (October 16, 2008)

In the last posting, I talked about the awe that I was struck with when I walked into a Tokyo shop with rows of Les Paul sunbursts and two-tone Strats. I had thought more about this and just realised how all of this might have started. I was first introduced to vintage guitars in 1973 by columns written by Tomiaki “Tommy” Hidaka (1950-1986), the singer-songwriter-guitarist of a Japanese band, Garo. They were heavily influenced by the British and American rock of the late '60s and were a well-respected young band in the budding Tokyo rock scene of the time, until they had a major chart success with a pop song written by a M.O.R writer. They then became a nationwide celebrity for a little while before breaking up... Continue reading "Made-in-Japan Replicas"




Vintage Tokyo - 1974 and Now  (October 2, 2008)

The summer of '08 is basically over. I was in a number of very nice vintage guitar shops in Tokyo on my trip earlier this summer. I always seem to find some guitars that I have a holiday romance with in Tokyo nowadays and some of them I brought home. Until recently, it was always the case that you had to pay a lot more for a vintage piece in Japan. Like it has been here in the UK, the shop prices there consisted of the US price plus a substantial dealer’s margin. The situation changed for some reason and now, you can find a real bargain in Tokyo. I suppose as more and more vintage guitars were imported to Japan, there was a build up of a substantial local stock in Japan and given the stagnating Japanese economy since the '90s and the general practice of lower trade-in prices there, if the dealer does not charge a big margin, you can find some guitars below the US market price let alone the UK prices. Continue reading "Vintage Tokyo - 1974 and Now"




Tap Tone - from a Baby's Mouth  (May 14, 2007)

I was messing around with my newly acquired 2003 Brazilian fingerboard Historic 1958 Reissue (R8) Les Paul – my friend Koji Mori at Ishibashi Guitars in Tokyo had set this one aside for me when it came in, but, me being in the UK, it took us literally years to hook up and for me to pick it up from his shop in Tokyo. I hadn’t bought a brand new guitar for some ten years previous and it was a treat. I love the playability of this new guitar as the fingerboard is dead straight and it has the right sort of tonal colour. I personally think, although it is a matter of personal opinion, that the fingerboard wood has something to do with the acoustic tone of a Gibson solidbody electric guitar. My hunch is that that is the reason why (a) a ‘68 Les Paul Custom with its maple top acoustically sounds very different from a Goldtop from the same year; and (b) ‘50s Les Paul Customs with their mahogany body still have those tight treble harmonics. Sound is something totally subjective and it may be my ears are deceiving me – but that is my humble opinion on which I base my personal purchase decisions... Continue reading "Tap Tone - from a Baby's Mouth"




The Vintage Pignose Amp  (May 7, 2007)

I have recently been collecting vintage Pignose amps. They are pretty much the only vintage amps that are actually affordable to the extent that I can have a half dozen of them in a row, compare the sound and choose the best one or two to record with. I probably should not be writing this piece just in case some collectors are reading this and decide to to stock pile on them and push the market price up. The thing is, either not many people latched on to the fact that the ‘70s made-in-USA Pignose is a wonderful amplifier that was used on many classic recordings (the modern made-in-Hong Kong reissue versions don’t record like the old ones at all or I have no ear), or the sound of the vintage Pignose (which is a transistor amp after all) is rubbish and does not deserve to be revered. It's a matter of opinion, of course, but I certainly have recorded with them through a vintage AKG tube C12 microphone and surprised the engineer and others with the sound I got out of this little amp... Continue reading "The Vintage Pignose Amp"




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Welcome to Modern Guitars, where you'll find thousands of guitar related articles covering every style and genre. This page is your gateway to everything from reviews and the latest industry news to an extensive archive of feature stories and exclusive interviews with six-string icons such as Stevie Ray Vaughan, Carlos Santana, Jeff Beck, Bucky Pizzarelli, Les Paul, Zakk Wylde, Lily Afshar, Mike Stern, and a variety of guitar industry leaders including Paul Reed Smith, Christian F. Martin, IV, Bob Taylor, and Henry Juszkiewicz.

MG Magazine Columns
Guitar Shredding by Matt Mills
On Axis by Nick Sterling
PSYKO Guitar by Ronny North
Vintage by Saiichi Sugiyama
Guitarology by Tom Hess
Jazz Scope by Steve Herberman
Industry Views by Peter Wolf
Women Rock! by Tish Ciravolo
Jazz Reviews by Vince Lewis
Reviews by Brian D. Holland
Berklee X by Matt Baamonde
Sunset & Vine by Billy Morrison
Hash by John Foxworthy
Functional Art by John Page
Guitar Art by Pamelina H
CRASH Pad by CRASH
Live Art by Neal Barbosa

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